The Sign of the Cross, 1932

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reisen55
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The Sign of the Cross, 1932

Postby reisen55 » Sat Feb 20, 2010 8:35 pm

Just obtained this ancient Cecil B. DeMille feature and one famous sequence has Claudette Colbert taking a milk bath. Now this must have been awful for her in the hot studio lights, but the attached pics, without toooooo much imaginative thought, fit our group nicely. Just change white to grey.
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dlodoski
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Re: The Sign of the Cross, 1932

Postby dlodoski » Sat Feb 20, 2010 8:57 pm

She was a hottie, no doubt. :mrgreen:





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Nessie
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Re: The Sign of the Cross, 1932

Postby Nessie » Sun Feb 21, 2010 2:20 am

It's not milk. It is really crystal-bright, snow-white kaolin clay.

Okay, for me it is.

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PM2K
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Re: The Sign of the Cross, 1932

Postby PM2K » Sun Feb 21, 2010 8:21 am

Milk makes a body good! :D

Well, someone had to say it.... ;)
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reisen55
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Re: The Sign of the Cross, 1932

Postby reisen55 » Sun Feb 21, 2010 8:37 pm

Anybody care to imagine what the studio set smelled like after a few hours of milk (presuming old DeMille used the real thing as he likely would) under really HOT lights? One has to give Claudette a round of applause for that scene under any circumstance.
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Nessie
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Re: The Sign of the Cross, 1932

Postby Nessie » Mon Feb 22, 2010 2:32 am

reisen55 wrote:Anybody care to imagine what the studio set smelled like after a few hours of milk (presuming old DeMille used the real thing as he likely would) under really HOT lights? One has to give Claudette a round of applause for that scene under any circumstance.


(clap clap clap...PHEW!)

What were they thinking? Pure white kaolin clay is odorless.

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x42swamper
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Re: The Sign of the Cross, 1932

Postby x42swamper » Fri Feb 26, 2010 8:29 am

Forget the smell , if she's going in, I'm going in :lol:
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