Quicksand Fans

Those are really great!!
I recognized each one immediately, and couldn’t believe what I was seeing.

The second Safari Girl pic is particularly good. Nice work.

Of all the AI goodies I've seen so far this is the first time I've looked at something and really thought now we're getting somewhere. It's a big step. Well done.

Amazing stuff.

I know there's been an antagonistic relationship between people who use more conventional techniques to create art, and those who generate images using AI, and I can completely understand why; in some of my other fields of interest, I've seen companies pass over hiring talented artists to produce promotional images in favour of really bottom-tier awful stuff. Plus the way some platforms have been completely flooded with low-quality stuff. But I love how you've been using it to pay homage to some of the artists whose works helped feed into our kinks so many years ago. I also love how Acidtester has been so supportive of your attempts to recreate his works, and bring Rebecca Longale to life in a whole new way.

It's exciting, and also a little scary, to see what lies ahead this year.

Updated Susan renders for 2024. The process is much more powerful now: no alterations needed. Original frames were slotted into Stable Diffusion.

Those are awesome!!

Holy smokes! I love the sandy temple one. It’s got that hot Lara Croft vibe.

I like all of these, the AT remakes are really good and this latest set are all good. The Egyptian one is a nice variation on the normal tomb traps.

Holy crap...wow! These are just astounding! This stuff is advancing sooo fast. Her look is consistent in every frame, she has the correct number of fingers throughout, and the detail is so much finer now. It even picked up the sinking oil lamp in "Final Trap".
REALLY nice Viridian! I'm really looking forward to what this year holds for this medium.
Can the new process handle motion with that level of detail yet?

sixgunzloaded wrote:Holy crap...wow! These are just astounding! This stuff is advancing sooo fast. Her look is consistent in every frame, she has the correct number of fingers throughout, and the detail is so much finer now. It even picked up the sinking oil lamp in "Final Trap".
REALLY nice Viridian! I'm really looking forward to what this year holds for this medium.
Can the new process handle motion with that level of detail yet?

To be honest, I just ignored the lamp and left your render in. I rendered everything else around it. Motion is improving, but it's still limited to only a few seconds of output with heavy warping, so I haven't tried to make anything significant from it.