JSample wrote:"...and as the thick ooze began to close over her face, Paris desperately forced her arms upward, hoping against hope that her blind hands might miraculously grasp a loose vine, a fallen branch, anything with which she might pull herself free from the ravenous maw of the miry predator that was slowly but surely swallowing her alive..."
Qsvgitguy wrote:JSample wrote:"...and as the thick ooze began to close over her face, Paris desperately forced her arms upward, hoping against hope that her blind hands might miraculously grasp a loose vine, a fallen branch, anything with which she might pull herself free from the ravenous maw of the miry predator that was slowly but surely swallowing her alive..."
That's the hope.
Acidtester wrote:Pardon my naivety, but are these attachments animated?
That means the hardest part of the movie is done. I still have to do the rendering, editing, sound effects, maybe music, and an bunch of other little things, so there's still a lot to do, but we're getting closer! 
Well, except for Paris's towel, you see NOTHING! Notice how flat and smooth the surface of the bog is. It's almost as if she never existed in the first place. There's no sign that anything tragic or dramatic happened here! 
JSample wrote:What was that old song by Hall and Oates? "She's go-o-o-o-one..."
Or is she? 
SinkerCutie wrote:Oh...THAT'S how you got the sinking girls to remain messy...
Thanks for noticing. There actually is a way for the fluid to paint an object automatically within Real Flow, it's called a Wet Map. I tried to use it once but for several technical reasons, mostly due to the way the geometry is laid out in the girl figure, it never really works. 
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