Postby somebodyelse » Thu May 26, 2022 4:31 am
For me, going under is the sort of the means to an end. Getting to that point is where my interest lies. The surprise, which comes from realizing they can't free their legs, after pumping and tugging at them, and when they get to about waist deep, feeling the surface with their palms flat on the surface, which at that point, they try to slowly push themselves up, which causes the ground under her hands to collapse, and they find themselves having sunk to chest level (i.e., boobs), inadvertently trapping their arms by their side in the process. They recoil in horror, and in turn struggle helplessly to free their arms, like Selene Drake in "Nitty-Gritty," and Christina Carter in "Alexis Grace and Christina Carter," after Christina save Alexis from, get this; being swallowed alive by the quicksand. After being rescued by her "frenemy," she recovers, and proceeds to push Christina into the mire, which culminates in her boggy demise. To me, the time between realizing they are helplessly and hopelessly trapped, until the final moment their head slips beneath the surface, the futile struggle to free their arms, pulling, twisting, having no leverage whatsoever. hoping against hope that they can somehow get free from what now feels like the bondage sack from hell. The writhing, heaving chest, and gyrations they go through is what does it for me. By then, going under is almost anti-climactic. It's also about the time where the guy nobody likes, the camp nerd/doofus clumsily happens upon the scene and is somehow able to grab her as she begins her final descent and pull her free. Or not; she manages to let out one last cry (which no one hears), as the bog slowly covers her face, and the hungry earth making its final swallow.
Last edited by
somebodyelse on Sat May 28, 2022 6:45 am, edited 1 time in total.