Redjak's finally started using AI

[redjak6t4]

I'll be hopping on over there on your recommendation Max...

...once I've deposited another batch of buxom babes boob-deep in mud here.

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[MadMax359]

B & C are my Favorites

[redjak6t4]

Usually Redjak carries his victims to the underground quicksand pits in his lair. Like this...

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But a while back I showed him using a different method of transport. Like this...

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Which makes sense when you think about it - in two ways.

First, the entire missile complex has smooth concrete floors throughout and where the deeper sections have pushed into solid bedrock and the corridors are rough-hewn, level concrete flooring has been poured. So anything with wheels can be easily moved almost anywhere, giving Redjak access to his quicksand pits.

Second, because wheelchairs have tubular steel frames, headrests, armrests and footrests, they can become mobile restraint devices in of themselves. For instance, a helplessly bound or mummified girl can be securely strapped or rope tied into one, leaving her as a nice, neat package that can be pushed along with ease.

Being inescapably joined to a wheelchair adds another layer of peril when it comes to sinking in quicksand. The combined weight of the chair and the person in it, plus the added restriction on mobility and movement makes this a particularly potent mode of sinking. Being mummified already made escape or survival impossible and being then being secured into a rigid metal metal frame makes it even worse. If that were possible.

But Redjak doesn't know when to stop.
So, a wheelchair becomes the ideal place to keep adding more and more deadweight in the form of concrete-encased feet and heavy sandbags lashed to the chair with rope.

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Two other points.
The image quality of some of these above isn't as good as I'd have liked. Also, Grok made a mistake with Ellen's gag. In the first two images of the sequence it's up over her nose to restrict her breathing. In the last three its only over her mouth. C'est la vie.

[redjak6t4]

Once again we visit the Hollywood vaults where those dusty gems from yesteryear are hidden away.

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A Republic serial of 1943 set in the misty swamps and bayous of Louisiana. In episode 9 (The Deadly Rendezvous) the snooping reporter Alice Frampton (Linda Brewster) is captured by the gang of smugglers, bound and gagged and taken to the Dark Bog to be disposed of.

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A spooky thriller from Republic in 1940, set in 20th century Romania. Archaeologist Laurel Weeks (Agnes Andrews) falls foul of the villains who leave her in the castle dungeons. The accumulated mud of centuries from the moat above is drained into the dungeon cell where she is trapped and in peril.

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Angela Rhys reprises her role as Jungle Girl in this 1944 offering from Republic. Episode 4 (Bound to Sink) sees her at the mercy of the evil ivory poachers. In an unusual departure from the norm most of this episode focuses on Jungle Girl's bondage with extensive footage of her being tightly tied up with a great deal of rope. Close up shots show her mouth being packed and stuffed before she is tape gagged. She is pushed into a pool of jungle quicksand and the episode's cliff-hanger ending sees her about to be sucked under.

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Though never intended to be a prequel to the 1954 horror/sci-fi movie Creature from the Black Lagoon, this 1946 production from Republic covers some of the same ground. A scientific expedition to darkest Amazonia discovers a hideous monster, a hostile tribe of head-hunters, a giant anaconda and a rival expedition by a group of unscrupulous explorers looking for El Dorado. Lorraine Browne (Lisa Tremayne) plays the biologist and ends up in desperate need of help. Will her companions find the mud pit she is sinking into before its too late?

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Following up their successes with the Mummy, Wolfman and Frankenstein's monster movies Universal Studios made this film in 1947. Menaced by all three monsters, trapped and sinking in quicksand, tightly gagged and bound, Janet Monroe (Iris Brierly) plays the archetypical damsel in distress.

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Another Republic serial of 1943, Nadia Clarkson is Lois Fawcett, the owner of a tract of land where a large swamp is said to haunted by the unquiet spirits of the dead. In episode 10 (Appointment with Death) she stumbles upon a gang of desperadoes hiding on her land. They see the swamp as a way of making her 'disappear' and leave her trapped in its sucking mud - helplessly tied and tightly gagged. She's saved by the detective Alan McMurphy (Todd Grainger) but its a close run thing.

[MadMax359]

Ghosts of Transylvania! with a corset like that, i almost don't need to see nipples!

[redjak6t4]

Ghosts of Transylvania! with a corset like that, i almost don't need to see nipples!

Thanks Max.

That one came out well, even if Grok steadfastly refused to 'increase the size and volume of this woman's bustline' by even the smallest amount. Too much breastflesh already showing, I reckon.

On the subject of visible breastflesh, here's a head's up for you.

The next time I post a batch of buxom lovelies tit-deep in mud I'm going to include one with her nipples on prominent display. She's probably a bit too big for your tastes, but I hope you'll overlook that. This time I managed to trick Grok (won't say how) and the final result looks very nice indeed.

Cheers,

Redjak.

[Sekani]

It's always strange how and when inspiration strikes

[redjak6t4]

And I'm very glad that inspiration struck you strangely with Laurel, Sekani.

Another impressive piece of work!

Thanks so much.

Redjak.

[MadMax359]

It's always strange how and when inspiration strikes

strange but wonderful!!

[redjak6t4]

Ok folks, apart from a brief diversion into wheelchair-bound damsels we haven't looked in on Redjak himself for almost two weeks.

Sure enough he's as busy as ever.

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This one was created with Sekani in mind. Hope you like it!

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